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Glasshouse | 
 enlarge | Author: Charles Stross
Publisher: Ace
Category: Book
List Price: $7.99
Buy Used: $1.18
You Save: $6.81 (85%)
New (28) Used (16) from $1.18
Rating:  43 reviews
Sales Rank: 29967
Media: Paperback
Pages: 352
Number Of Items: 1
Shipping Weight (lbs): 0.4
Dimensions (in): 6.6 x 4.2 x 1
ISBN: 0441015085
Dewey Decimal Number: 813
EAN: 9780441015085
ASIN: 0441015085
Publication Date: June 26, 2007
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: An acceptable ex-library copy. Used. Pages are worn. Cover has creases. Edges and corners are worn. Binding is cracking.
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Product Description
In the twenty-seventh century, accelerated technology dictates the memories and personalities of people. With most of his own memories deleted, Robin enters The Glasshouse-an experimental polity where he finds himself at the mercy of his own unbalanced psyche.
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| Customer Reviews: Read 38 more reviews...
 Inspector Plod (Ms) May 28, 2008
D. Grant (San Francisco, CA United States)
1 out of 4 found this review helpful
Imagine a police procedural, where the first person detective is...dumb as a sack of doorknobs, I mean painfully so, to the extent other characters point it out. Stross inflicts a female Inspector Plod on the Scottish police, and shame on him (real Scots women would make haggis out of his innards for it). The mystery is set in a software company that develops games. All of THEM are cluless (americans is the subtext) while Ms. Insp. Plod gets pissed off and punishes them for being techies with her plodness. Someone says I need to rush off to...She says, you'll sit here all day and night until you make some pointless statement I won't understand anyway, just because I can make you. Etc. Oh, and she is worried about her kid, and maybe not getting home in time for dinner, and how trivial is some multi-million dollar hacker sabatoge, when she has real crime, like stolen car radios to fight. The gamer aspects of this are kind of interesting, although the software "back chat" is ultimately pointless (Ok, so developing the TRS-80 was tough, who cares now). Skipped over is the whole, more interesting idea of introducing crime to the "second life" universe, which might have been fun. Real life has now evolved to where networks of vandals exist to trash seond life type intereactives, so, yeah, a criminal conspiracy to make some real bucks off it...cool. Cybercrime, however, is so much more profitable (billions in the US alone), and so far over the heads of the local coppers - well that would be a much better book, but a lot harder to write, and, sadly, way beyond the scope of Stross' tedious fascination with lefty neo-puitan future Scotland. Skip even the used version of this one.
 My least favorite Stross to date. March 29, 2008
C. Gilbert (Amsterdam, the Netherlands)
The beginning of this book irritated me so very much that I nearly put it down. I could not stand the smug "looky! quaint 20th century customs as seen by future anthropologists!" trope that Stross was using. I did not care how many little sly references he included (the curious yellow virus), it was annoying.
I am glad that I persisted and it did get less annoying as the book progressed. Stross makes it clear that he is winking at his own conceit and that made it (marginally) more interesting. Although it does improve as it progresses, it still feels quite empty next to the far superior Accelerando. It may be that people who do not like his other work will find more to hold in the plot with this one. Despite the identity-hopping trappings, Glasshouse is actually surprisingly straight-up for Stross.
Almost Gave Up On It March 29, 2008
Fyodor
2 out of 3 found this review helpful
This is really strange to the point of being wacky at times, especially in the beginning. He invents a lot of new technologies, and I had a hard time figuring out what things were what and how they were supposed to work until about midway through the book. Apparently I can't tell my T-gates from my A-gates.
The technology in Stross' universe allows people to create or to become anything they can imagine, which really makes it more of a fantasy type of novel than anything else(there are blue centaurs and four armed people). You really have to check your brain at the door for a lot of the book.
He gets into the meaning of identity; physical appearances, external surroundings, memory, and he thoroughly screws with the three to entertaining results. He really doesn't get too deep or philosophical in his examination of identity, which I would have liked to see, but nevertheless he uses the constantly shifting appearances of his characters for a few fun twists. I also like how he envisions the future of warfare being almost exclusively psycological. Still, in the end it's the kind of book that you have to want to enjoy. The ending left me smiling at least.
"In the Village" February 8, 2008
lb136 (New York, NY USA)
3 out of 3 found this review helpful
Charles Stross's extremely clever, if extremely loopy, "Glasshouse" imagines a far future of travel by teleportation (through assembler gates--wait for it), body alterations, physical backups, and a worm that reprograms people's memories.
The hero is (a male) named Robin who's just gone through memory erasure (perhaps voluntarily). In order to avoid what he believes are assassins pursuing him, he volunteers for an experiment in which people live as they did during the "dark ages." Although the dark ages in question are the 20th and 21st centuries.
Stross has a clever idea: the records from the earlier part of the period, when paper and ink was still the primary method of data storage, will have proved more durable than electronic storage, in which data has been lost due to the constant procession of different, competing storage devices. Anyhow, the world Robin (now a female named Reeve) finds (her)self in has late-20th/early 21st-century tech (mobile phones, microwaves), but a social structure from the period of 50 years before, with men going to work and women staying home.
Robin/Reeve, however, quickly discovers that the danger to (her)self lies precisely within the parameters of the experiment, and not with assassins without. Of course, she tries to do something about this, and the thrills start.
The book's a kick, with wild speculations, hat-tips to Franz Kafka, Alice Sheldon, Paul A. Linebarger, the old "The Prisoner" tv miniseries, and the computer worm that's featured so prominently in the book is named Curious Yellow. But maybe Mr. Stross isn't quite as clever as he thinks he is; sometimes the breathless first-person present-tense narration by Robin/Reeve devolves into cute or technobabble. And the ending feels rushed. But it will sustain your interest over the course of its 333 cramped pages packed with too-small print. (You'll need to visit your opthalmologist when you finally put the book aside.) Some publishers have been improving the look and feel of their small-size paperbacks. This publisher has not joined the party.
 Incredible, even as a standalone December 20, 2007
Kyri A. Baker
1 out of 1 found this review helpful
Sometimes I like to go into bookstores and buy a book at random without reading the description. I did that with Glasshouse, and I was very pleased. Apparently it's part of a series, but I read it as a standalone novel and understood everything. Stross is incredibly creative, and the book is nothing but a pleasure to read, even if you're not into SciFi. The world he creates is fun to read about and experience, and I wouldn't change a thing about the way he crafted this book. If you're looking for something different, give Glasshouse a try!
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